Michael Myers
Vs.
Jurassic Park


For those of you who have been waiting patiently, here it is. Some of it is a cheap rip off of
"Aliens", but enjoy it anyway. =)

 

---Sidney

PS

Dont come crying to me just cuz Michael aint in most of this, its hard to fit him in with a
story full of dinosaurs!

 

 

 

                        Michael Myers

                             vs.

                        Jurassic Park

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

FADE IN:

A glowing AMBER CRYSTAL of some sort STRIKES across the
screen,

a misquito of some sort incrusted inside, the JURASSIC THEME

thunders in, and the AMBER bursts to shreds revealing a
GLOWING,

eerie JACK O LANTERN, the JURASSIC THEME crosses with the

HALLOWEEN THEME, a horrifying clatter of two classic themes

coming on at the same time, TITLE CARD:

Jurasic Park Vs. Michael Myers

 

 

SMASH TO:

INT. ISLA NUBLAR - JUNGLE FOREST LAND - DAY

A snort of some animal roars into the bushes as some sort of

ANIMAL jumps from it, landing to another bush, watching a

STEGOSAUR munching away on some plants. This ANIMAL lets out

another snort, it rears back, ready to pounce, when SUDDENLY

WE---

HEAR A LOUD HORRIFYING ROOOOAAAARRRRRR in the distance, a

T-Rex is approaching and it doesn't sound happy. Immediately

the Stegosaur lumbers away, and the ANIMAL recoils back
revealing

its a VELOCIRAPTOR, it scatters away into the endless jungle
of

ferns and vines.

PAN TO THE SKY, a huge TOWER SIGN looms in the distance, it

reads JURASSIC PARK, 1993. Its torn and worn down, in fact

almost all of the letters are ripped off. Its been Seven

Years since we first saw this park, (Dr. Grant, Dr. Sattler

not the island in THE LOST WORLD) and it looks basically the

same.

The ROOOAAARRRR continues as we

DISSOLVE TO:

INT. KYLE'S HOUSE - DAY / LIVING ROOM

The CAMERA pans over to the black leather couch where we

see 14 year old KYLE STRODE talking endlessly on the phone,

he switches channels simutaneously on tv.

KYLE

(on phone)

Its only been a month since IT

happened... (pause)... oh you

know what I mean!...(pause) Uh,

no. No that's not what happened.

Didn't I tell you? Me and my little

cousin were trick or treating?

(pause) We got chased into a Ware

House? Michael chased us all the

way back to my house? (pause)

Hello? Oh sorry, wrong number.

He hangs up, and turns off the tv. The boy stares outside

and sees that the sun is partially setting. His mom walks

in and looks at him.

MRS. STRODE

Are you sure you don't want to

do anything while you're on your

Christmas Vacation? The year 2000

is coming up and people these days

are getting pretty hectic with all

this revelation stuff.

KYLE

Thanks mom, but I'm sure I'll be

fine.

MRS. STRODE

Uncle Mel is going to the Bahamas.

Kyle shocks up.

KYLE

The Bahamas??

MRS. STRODE

Yess....

KYLE

Oh god yes! I wanna go! Please

please please please please please?!

MRS. STRODE

Yes yes you can go! Its only for

a week and-

The boy runs out of the room in glee.

MRS. STRODE

(calling after him)

He doesn't leave in another 2

days!

KYLE

(O.S.)

Who cares?!

CUT TO:

EXT. AIR PORT / HELICOPTER AREA

A whirlwind of action, as a single Helicopter rears its

engine as the two top propellers pick up speed. KYLE

steps into frame along-side his uncle Mel, laggage packed,

and all else.

But what they don't see, is a DARK FIGURE sneaking aboard

the copter, soon after KYLE and MEL enter as well.

BIRD'S EYE VIEW OF HELICOPTER, it lifts up into the air,

and flies out of view.

CUT TO:

EXT. OCEAN / EXT. HELICOPTER

A vast view of the endless reaches of the sea. Beautiful

and delicate, the COPTER sails across the sky.

INT. HELICOPTER

Kyle stares out of the window helplessly, he's fascinated

with the view. Beside him is his uncle, typing feverishly

against the keyboard of his cordless laptop.

KYLE

Wow, I can't wait to get to the

Bahamas. I've never been there

before

MEL

Well thats nice, Kyle.

KYLE

Thank you SOO much for bringing

me. Its such an honor.

MEL

Your welcome. So, how are your

friends doing?

Kyle busies himself again by staring out the window, his

face begins to weaken.

KYLE

They're all dead, Uncle Mel.

Mel shoots up from the laptop, surprised.

MEL

Huh? Oh! OH! Yeah, my nephew

went on a murder rampage on your

again, now I remember!

Kyle wipes away an incoming tear, Mel continues to type.
SUDDENLY, s jolt of TURBULENCE smacks the helicopter off
course,

it begins to REAR BACK. Kyle bonks his head on the window
while Mel drops his laptop to the floor.

KYLE

What the hell--?!

The boy moves for the sliding window which opens up to the

Pilot side, he slides it open and sees the face of MICHAEL

MYERS! Kyle retorts back with a scream, Michael moves out of

the way to reveal the DEAD PILOT, who is slumping down on
his

controls, the HELICOPTER starts to flail helplessly toward
the

ground..

MEL

OH MY GOD---

The leathel hand GRABS the Uncle by the neck and snaps it,
he

grabs his knife and swings it at Kyle. The boy dodges the
attic,

and suddenly the DOOR ON MEL'S SIDE slides open, Mel's body
falls

out and slashes into the ocean. The COPTER takes a sharp
left turn, leaving it TILTING TO THE OPEN DOOR SIDE! Kyle
grabs hold of a metal bar, he dangles there helplessly as
everything else falls out of the wide open door, MICHAEL
drops his knife, it clutters down the fabric of the seating
and it falls out of the door.

EXT. HELICOPTER

It sways violently, still tilted, the WIND picks up and it
knocks the copter back on course.

INT. HELICOPTER

The open door slams shut, and KYLE is sent spiraling toward
it just as it closes. Michael still's hasn't given up, he
smashes the glass panel and moves toward the boy. But Kyle
immediately kicks the guy in the face, sending Mickey flying
back into his seat.

EXT. OCEAN / ISLA NUBLAR

 

The Copter is picking up more speed, swaying back and forth
and doing sloppy loops in the air, we finally see the
OUTLINE of an island, they're approaching ISLA NUBLAR.

INT. HELICOPTER

The struggle continues. Michael breaks the glass panel
fully, and outstretches two arms which wrap around Kyle's
neck. The boy is throttled violently, but his elbow slips on
the handle of one of the doors, it crashes OPEN and KYLE
flails out!

 

EXT. HELICOPTER

Kyle falls for only a second, and he grabs hold onto a metal
bar attached to the bottom of the copter, he hangs on for
dear life.

The Shape stumbles into the backseat of the Copter, and he
peers out of the opened door, and sees Kyle clinging on. A
beat, and

the plane starts to tilt DOWN, speeding toward the ISLAND!
The force of the wind is so strong, it sends the SHAPE
hurling out of the Helicopter as well! KYLE'S POV: a blur of
wind, and the SHAPE falling into a mix of jungles and
forests.

REVERSE SHOT, Kyle barely makes it back into the backseats
of the Helicopter....

 

Then...

 

WHHHAAAMMM!!!!!! CRASH BOOM!!!!!

 

INT. ISLA NUBLAR / BEACH - LATER

 

The main part of the shot is the crumbly remains of the
helicopter, bits of debris float up into the air, a small
fire burns in the middle of the beach.

TRACK TO:

The largest peice of the debris.

 

A long moment.

 

We might actually think this is the END of Kyle Strode....

 

 

 

 

 

 

....when suddenly...

 

 

 

 

Someone coughs. A struggle of breath, and the debris flips
over to reveal...

 

 

KYLE!

He makes a weak attempt to stand, he quickly checks his
surroundings, and collapses out of exhaustion.

 

 

 

DISSOLVE SLOWLY

TO:

 

INT. BEACH / DUSK

The cawing of birds his heard in the distance, KYLE is still
asleep, the fire is gone. We hear MUSIC start up... slow and
sad.

JEWEL (V.O.)

If I could tell the world one thing,

it would be, "we're all ok". And not

to worry cuz worry is wasteful and use

less in times like these...

 

Another long moment...

JEWEL

Wont be useless, I wont be idled with

dispare, I will gather myself around

my faith, for light is what darkness

most fear...

Kyle awakes. He looks groggy and disoriented, he breathes
slowly... but is interrupted by a loud SSSCCRREECCHHCCHHH

erupting from somewhere in the bushes. The boy turns around,

trying to place the noise.

 

CUT TO:

EXT. FOREST - THE NEXT MORNING

A layer of mist surrounds the forest, birds caw in the
distance,

chirping and animal noises are all you can hear. PAN TO
KYLE:

struggling out of the mix of vines and trees, limping down a
natural path.

NEW ANGLE, the boy skids down a steep hill, almost losing
balance. As he gets to the bottom, he enters a wide,
peaceful

clearing.

He looks around, dumbfounded by all the beauty. A ominous
MOAN

looms, Kyle shocks up.

EXT. CLEARING

A wide, grazing hill, followed by a large POND, the sun
shining brightly down from the heavens.

KYLE

Wow...

Suddenly, a "TREE TRUNK" FROM behind KYLE spurts to life,
and seems to LUMBER ABOUT as if acting like a leg!! WIDER
SHOT: revealing that these "tree trunks" are actually the
legs of a Brachiosaur! Cue JURASSIC PARK THEME

KYLE

WHAT THE FUC-!?

The ground POUNDS as this large creature steadily walks
toward

the large pond, Kyle stumbles into a hysteric mass.

KYLE

Oh my... Oh... dear lord.. I..

er... uh.. Ah....

The dinosaur CRASHES into the pond, water comes up in
GIESERS,

we see many of its OFFSPRING joyfully splashing about.

KYLE

Where the HELL am I?

The dinosaurs remain, Kyle stares helplessly, but all this
peace and joy is shattered when the excrushiating
RRROOOAAARRR of the Tyrannosaur bursts into the land. Kyle
whips around like lightening, but the dino's react a
different way, the little ones flee instantly, the adult
takes a while longer but it eventually storms out of there
with the rest.

No longer than that, is when the ground immediately begins
to RUMBLE, boom, boom, boom, boom...

ON KYLE, he dashes for the closest shelter, a worn out shack
of some kind, its kinda rusty and it could collapse on its
own, but hell its something.

KYLE'S POV

The enormous T-REX thunders out of the forest in a fantastic
shower of bark and shredded trees. It bobs its head back and
forth, kinda like a bird, stalking the empty area,
inspecting everything.

ON KYLE,

scared out of his MIND.

BACK ON THE REX, it sniffs the cheery air momentarily, and
suddenly its head sways and stops dead at the sight of the

SHACK. Uh oh.

KYLE

Please god please god please

god please god please god...

EXT. SHACK

EXTREME CLOSE UP SHOT on the shack, the REX'S HEAD sways
into frame, a sinister evil glaring in its eyes. REX'S POV:
Kyle, in the shack, going hysteric, similar to Lex in
Jurassic Park in the T-Rex-car-scene.

INT. SHACK

The boy watches in absoloute horror as the PUPIL of the
Rex's Eye fills up the broken window. All Kyle can do is
scream! The rex reacts with a scream of its, own, and begins
to smash up the shack with its head. Kyle plummets to the
ground as the entire roof crumbles in a shower of blistered
wood and rusty metal. One wall tears down completely, leavin
the other three to collapse.

EXT. SHACK

Kyle immediately makes a break for it, tearing down the
natural path and running cunningly into the forest.

INT. FOREST

The rex isn't too far behind, Kyle is literalling running at
the Rex's feet. ON KYLE, he leaps over a bush, followed by
the Rex's foot curshing it fully. ON REX, snarling and
growling UPROARIOUSLY.

KYLE

Get away from me....!!!

T-REX'S POV: she's high in the air, looking down at Kyle
like god.

KYLE'S POV: on ground, looking straight ahead. It doesn't
take long to see that he is approaching the VISITOR'S
CENTER.

 

INT. VISITOR'S CENTER

 

Kyle CRASHES into the building and SLAMS the door insantly
behind him. From behind the door we hear the rex letting out
a roar, then we hear it retire back into the forest.

 

 

Then, silence.

 

Kyle slumps down onto the floor, he inhales.

 

MUSIC starts up again...

JEWEL

We will fight, not out of spite,

but someone must stand up for whats

right, for when there's a man who

has no voice, then we shall go sing...

CUT TO:

INT. POWER ROOM (engineering room)

This is the same room we saw when the baby raptor was
hatching out of its egg. Of course, its been 6 or 7 years,
and its kind of run down, just like every other room in the
Visitors Center. Kyle enters.

KYLE

Hello? Hello? Is someone here?

Um I think the animals that u

are keeping here grew a bit...

Silence. Just an electrical humming.

KYLE

Um... hello?

KYLE'S POV:

the room is fairly dark and completely deserted. The only
light we see is the light from the sun peering into the
room. He looks

around a bit more, and grabs a flashlight.

NEW ANGLE

He slowly and steadily walks down an alley way, slowly
passing computers and old nests, his flashlight shines on
one particular nest, the eggs in it seem to have already
hatched.

KYLE

Hello...

...is all the boy can say....

 

SUDDENLY

a dark FIGURE swings across Kyle's path and rushes into the
darkness, Kyle stumbles back, about to run away. But he
stops himself, it was a bit slow, not from a dinosaur,
almost like

a human....

KYLE

Who's there??!

He points his flashlight toward a shadow, he follows the
light

until he comes upon a FIGURE....

KYLE

Please god please god please god...

Kyle finally pinpoints his flashlight to the FIGURE, to his
shock the figure SCREAMS! Kyle screams, too!

KYLE

AHHH....

FIGURE

AHHHH!!!!!!

The boy stops, he comes to focus his eyes on... A LITTLE
GIRL! This is Rebecca, blondish around 8 or 9, she wears
dirty clothes and her hair looks like she just got a cut by
OJ Simpson.

REBECCA

WHO ARE YOU!?

KYLE

I'M KYLE STRODE WHO THE HELL

ARE YOU!?

Rebecca steps back, inhaling.

REBECCA

I'm Rebecca, my friends call

me Becky..

KYLE

Why are you here? In fact WHERE

are we???!

REBECCA

When did you come here.

KYLE

I... well... my helicopter crashed

here... my uncle died.

The two kids exhale, more relieved now. Kyle looks at her.

KYLE

Can you tell me where we are? Or in

fact, why you're here?

REBECCA

I'm sorry.... but... my whole family

died. We were going on a private cruise..

We got stranded here... my mom told me

to go find some bark for the fire...

A tear rolls down her cheek.

REBECCA

When I came back all I found were bloody

corpses...

She begins to cry. Kyle takes a step back, he stares at the
crying girl.

KYLE

I'm... I'm sorry... do you... know where

we are?

Becky wipes away her tears, faces Kyle.

REBECCA

I'm not sure... but we're in this weird

island with...

She stops herself, unsure.

KYLE

With what?

BECKY

...with dinosaurs.

Kyle bursts out laughing.

KYLE

Dinosaurs?! They died... what, 65

million years ago?

BECKY

I saw you running from the biggest

dinosaur, what do would you call THAT?

KYLE

An over-fed cheetah, ok?

BECKY

How long have you been here.

KYLE

The copter crashed yesterday.

BECKY

My family got killed a day before that.

KYLE

Have you seen any of these animals?

BECKY

Yes. The biggest one chased me.

KYLE

Are you... ok?

BECKY

I'm fine.

KYLE

I'm just gonna go and see if I can

find some help, you know, soldiers,

police, they'll be able to help.

BECKY

It wont make, a difference...

Kyle looks at her strangely.

KYLE

Believe me, I know, good can come

over evil.

BECKY

I said, it WONT MAKE a difference.

KYLE

Look, do you want me to tell you a

story about what happened to me on

Halloween night this year?

BECKY

Do what you must.

KYLE

First of all, my pyscho-path uncle

came and tried to kill me for the

SECOND TIME, then he killed my father,

my friends, oh, and not to mention the

year before THAT, that was more horrifying.

You see I was babysitting-

BECKY

-then Michael Myers came along, killed

all of your friends then tried to come

after you and then he knocked you out

and you dreamt that you killed him but

I guess you didn't, huh.

Kyle looks at her.

KYLE

How do you...

BECKY

I live in Morningside, Kyle. I know

what happened. Niles was my big brother.

KYLE

He was...? Oh... wait! I remember you

now! You were at this art camp thing

when it happened...

BECKY

And I have been missing him ever since.

Little girls have feelings too, Kyle.

KYLE

I know that.

BECKY

But having your entire family killed off,

that's certainly a one-way ticket to therapy

land.

KYLE

Michael Myers... he's trying to kill off

his family, too.

BECKY

My mommy knew Laurie Strode. She said that

the last time she saw her was when she was

going to go babysit with Annie.

KYLE

Really? Laurie Strode is my sister.

BECKY

Your family is weird, if Laurie was alive

today, you would have a 38 year old sister.

KYLE

Hey, I have a 42 year old brother. Besides,

my mom and dad weren't that old when they

had me.

BECKY

Yeah, they must have been, what, a 57?

Kyle and Becky laugh, a bonding moment.

KYLE

Aren't you scared those things might break

in here?

BECKY

Yes, but I try not to think about it...

Becky sighs, Kyle glances out of a window, the sun is
beginning

to set.

 

CUT TO:

 

 

INT. GIFT SHOP - LATER

 

 

This is no longer a gift shop, all the tables and what not
are

overturned, its a mess, but we see a sleeping mat placed in
the

center, Becky is lying on it, Kyle sitting beside her.

BECKY

My mommy said there are no such things

as monsters, but there are, aren't there?

KYLE

Yes there are. Do you believe in the boogey

man?

BECKY

No.

KYLE

No? Well you should. You need something to

believe in.

BECKY

But I believe in god.

KYLE

Well if you believe in god, then you must

believe in the devil.

BECKY

The only time when I think of the devil of

the devil is when he gets his butt kicked

by god.

Kyle smiles.

KYLE

You should get some sleep.

BECKY

Ok.

 

 

CUT TO:

 

 

INT. ENGINEERING ROOM - NIGHT

 

Kyle is skimming through many gun racks, searching through
the various artillery.

 

His hand stops as he comes upon a flame-thrower.

 

 

INT. GIFT SHOP

We see Becky peacefully sleeping, then the SHADOW OF THE
SHAPE

fading into view at the doorway. Becky snores, and the Shape

ENTERS...

CUT BACK TO:

INT. ENGINEERING ROOM

Kyle puts the flame thrower back, and picks up a big ass
machine gun. He aimlessly points it to the ceiling and tests
it.

CUT BACK TO:

INT. GIFT SHOP

The Shape walks past man of the overturned tables,
approaching the sleeping girl.

CUT BACK TO:

Kyle, looking at his gun with satisfaction. He turns and
exits.

CUT BACK TO:

Becky awakes, she looks up at MICHAEL, who has his knife
raised in the air. She SCREAMS

CUT BACK TO:

Kyle, running down the hallway.

KYLE

BECKY?! BECKY WHERE ARE YOU...

INT. GIFT SHOP

Kyle crashes into the room, and sees the knife being raised.

KYLE

Hey! Asswipe!

In an instant Michael whips around, almosy surprised.

KYLE

Becky take cover!!!

The girl does as she is told and dives behind the cash
register, after this is done, Kyle lets loose on his gun,
bullets spew out all over the room. MICHAEL gets shot a
couple of times, but kicks

away a garbage can in front of him and approaches Kyle.

KYLE

Come on come on...

He begins to shoot another round, by ironically runs out of
ammo.

KYLE

Fuck! Becky! Come on!

Becky runs along-side Kyle as they tear across the room and
into the hallway, The Shape looming behind them.

CUT TO:

INT. HALL WAY

Becky chugs behind Kyle, he is trying to slow down his
frantic self so Becky can stay in pace. Kyle looks back, the
shadow of

the shape appears.

BECKY

(panicking)

WHO WAS THAT?!

KYLE

THE BOOGEY MAN!

They continue to run.

CUT TO:

INT. MAIN ROOM - VISITORS CENTER

First silence, but its torn when the two frenzied children
dash down the main stairwell, as they approach the bottom
Becky trips and skids across the floor. Kyle runs to help
her, but he turns

around and sees Michael descending the stairs.

KYLE

BECKY!!!

Kyle picks up the girl with his one arm, and with his other
he shoots the Shape continuously.

CUT TO:

INT. ENGINEERING ROOM - CONTINUOUS

They crash into the room, and insantly slam the heavy metal

door behind them. Kyle stops to catch his breath, Becky just

watches in fear as the Boogeyman struggles against the door

on the opposite side.

BECKY

What are we going to do???

Kyle thinks.

KYLE

Try to find a way out of here!

The pounding on the door continues, the two children run for
there lives.

EXT. VISITOR'S CENTER - DAWN

The sun is beginning to rise, Kyle and Becky thunder down
the front steps. They look around for a while. A jeep
appears out

of the corner of Kyle's eye.

INT. JEEP

The driver's side door opens, Becky stumbles inside and
climbs into the backseat, Kyke takes the driver's.

BECKY

Do you know how to drive?

Kyle cranks the engine.

KYLE

We'll see!

EXT. JEEP

The car starts up, it hesitates, but we hear Kyle kicking
something, and it skitters off into the far distance.

CUT TO:

EXT. JEEP / EXT. JUNGLE / CLEARING - LATER THAT DAY

Its a little later on in the day, a bit after noon, and we
hear the rumbling of an engine in the distance. We PAN to
the left and see KYLE'S JEEP still trudging through the
marsh-land.

INT. JEEP

Becky is staring out the window, watching rows of forest
life passing her. She looks up at Kyle, who has now gotten a
bit more relaxed in driving.

BECKY

Where are we going?

KYLE (O.S.)

To the crash-site, I wanna see if

the radio still works, maybe we could

call for help and get off this island!

The girl continues to stare out the window.

BECKY

I don't think it would. By the looks

of you I'd say the copter crashed real

hard.

ON KYLE, his memory scanning.

KYLE

Damn, you're right!

ON BECKY, rolling her eyes.

BECKY

Well where are we going now? The animals

are all over the island!

KYLE (O.S.)

They won't get us.

BECKY

Oh? And how would you know THAT.

KYLE (O.S.)

I'm sure of it.

BECKY

How many dinosaurs have you seen?

KYLE

Well, I saw these really tall ones with

noses above there eyes...

BECKY

Those are the brachiosaurs.

KYLE

Um, yeah... and I saw a T-Rex.

BECKY

I studied dinosaurs in the 2nd grade,

there are more species in the island.

KYLE

Well I studied dinosaurs too! There

cant be too many on the island.

BECKY

There are velociraptors.

EXT. JEEP

The vehicle skids to a stop.

INT. JEEP

Kyle turns around from his driver's seat to face Becky. She
studies his expression.

KYLE

What did you say??

BECKY

There are RAPTORS on the island.

KYLE

How do you know that?

BECKY

Because I saw them, they were hunting

me.

KYLE

They were hunting you?

BECKY

After I found my dead parents, one of them

came back to get me, I ran over to the Center.

KYLE

Oh my god-

SUDDENLY

A loud CLANGING THUD drops onto the roof, the SCREECHING of
a raptor follows! Becky screams in terror, Kyle steps on the
gas!

EXT. JEEP / ROOF

We see a RAPTOR has jumped onto the roof, its deadly talons
scraping against the metal.

MOVING SHOT OF JEEP, Kyle inside reaching hysteria, Becky
screaming her lungs out, the raptor puncturing the roof
little by little, trying to claw inside.

NEW ANGLE, EXT. FOREST

The jeep sways and skids down a pathway, knocking down baby
trees and bushes. The RAPTOR lets out a shriek, revealing
its razor sharp teeth.

INT. JEEP

Kyle turns the steering wheel around all the way, he gasps
as the jeep barely misses crashing into a tree. An ENTIRE
CLAW of the raptor convulses from the roof and tears along
it. This happens numourous times, the RAPTOR pounds on it
more and more, it looks like it could cave in. But KYLE
steps on it again, the Jeep THIS TIME smashes into a LAKE!

INT. LAKE / UNDER WATER SHOT

The jeep slowly sinks to the bottom, we hear the raptor
screaming, Kyle and Becky struggling to the surface.

EXT. LAKE - DAY

Becky and Kyle crash to the surface, breathing, spitting out
water. All we see is a slight ripple of water from the lake,

the Raptor underneath desperately trying to survive.

Then silence, the deep water has taken its toll.

DISSOLVE TO:

INT. GRASSY HILLS - LATER

Lush green hills, packed onto each other, followed by a

beautiful background of snowy mountaintops and what-not.

BECKY (O.S, approaching)

I'm tired!

We see the two children struggling up the hill.

KYLE

So am I, but you don't see me whining.

BECKY

I am not whining!

KYLE

Are too.

BECKY

Are not.

KYLE

Are too.

BECKY

Are not!

 

Silence.

BECKY

If I were driving the car I wouldn't have

drove it into the lake!

Kyle just stares ahead, dumbfounded.

KYLE

Look!

BECKY

Where?

BECKY'S POV:

we see what Kyle was staring at, an egg's nest!

ON NEST,

the two excited kids rush over and kneel beside them. No
parents in sight.

BECKY

Wow, what kind are they?

Kyle shrugs.

EXTREME CLOSE UP SHOT ON:

An egg. It crackles, and slowly begins to hatch.

 

KYLE

Whoa!

A tiny hand breaks through, gradually the egg sheds and out
of it we see a baby Triceratops.

BECKY

Oh my god! Wow! Its so cute!

The girl goes to touch it, but Kyle slaps her hand away, his
head perched in the air, he's listening.

BECKY

What?

Silence.

KYLE

Fuck, the parents are coming!

BECKY

What?

After a few second, the ground begins to RUMBLE and SHAKE,
in the far distance we see the two figures of mama and papa
triceratops, they certainly dont look happy.

BECKY

OH MY GOD!

They run for there lives.

ANGLE ON TRICERATOPS, it blows steam, and charges for Kyle
and Becky.

ON KYLE AND BECKY, panting, tired, begining to slow down.

KYLE'S POV: he looks behind him, the ceratops has slowed
down, its listening to something.

SUDDENLY

Thunder RUMBLES followed by a STRIKE of lightening, lashing
rain pours down onto the island.

NEW ANGLE ON FOREST, a REX screams its way out!

KYLE

Oh my god...

The two parents run off, the Rex begins to walk around,
studying the area.

ON BECKY AND KYLE, they're rushing up a talll tree, its
crown flourished with lots of leaves, the Rex will never
find them there.

INT. TREE

Becky starts to catch her breath, Kyle just watches in
horror as the rain comes down and as teh Rex stops RIGHT in
front of the tree.

EXT. TREE

The Rex looking at the tree, with curiousity.

INT. TREE

Kyle clamps his hand over Becky's mouth who is about to
scream, Becky stares at Kyle in anger.

KYLE

Ssshh! Be QUIET.

He leaves his hand, BECKY screams anyway!

EXT. TREE

The T-Rex lets out another ROAR, and begins to tear away the
leaves from the crown.

INT. TREE

The kids watch in terror as the tree begins to get stripped
away, immediately Becky and Kyle begin to climb back down
from the tree.

EXT. TREE

They run past the T-Rex's enmourmous legs, and slosh down
the wet fields.

CUT TO:

EXT. VISITORS - CENTER -

It has stopped raining. Kyle and Becky are standing outside,
wondering weather Michael is still inside or not.

KYLE

He could still be inside...

BECKY

But the only way to get out of here

is to call for help from in there!!

KYLE

I dont know...

BECKY

Pleeaasssee?

Kyle thinks.

KYLE

Oh alright.

CUT TO:

INT. VISITORS CENTER - MAIN ROOM

The kids step inside. Kyle looks around, Becky wanders
about.

KYLE

Ok, Becky, you wait in the kitchen

and WAIT THERE, ok?

BECKY

Ok.

KYLE

I'll be in the room with all the computers.

CUT TO:

INT. COMPUTER ROOM

Kyle opens up the steel door and instantly closes it again,
he looks out the window, making sure he was not being
followed.

He limps over to a telephone.

CLOSE ON TELEPHONE, LABEL READING:

Dial 394-9287 in case of emergency.

Kyle picks up the reciever and dials the number, he waits.

CUT TO:

INT. KITCHEN

This is the same kitchen in which we saw when Tim and Lex
were trying to hide from the raptors. BECKY enters, closing
the door behind her.

CUT BACK TO:

INT. COMPUTER ROOM

A person has recieved the call, Kyle nervously speaks into
the phone.

KYLE

This is KYLE STRODE and I'm stuck in

this island called Isla Nublar, we're

about 80 miles from the U.S. Border,

and we need HELICOPTERS here fast!

OPERATOR

Please tell me your co-ordinates.

Silence.

KYLE

How the hell am I supposed to know

that??

CUT BACK TO:

INT. KITCHEN

Becky watches the small window in the steel door, the eye of
a RAPTOR peers inside. Becky gasps.

CLOSE ON DOOR HANDLE,

the raptor fumbles with it, until it opens slightly.

The girl dashes across the kitchen, planting herself behind
a rack of utensils.

CUT BACK TO:

INT. COMPUTER ROOM

OPERATOR

Ok, Special Forces will be there in

around 20 minutes.

KYLE

Well tell them to go faster!

He hangs up.

CUT BACK TO:

INT. KITCHEN

The raptor crashes inside the kitchen, the door swings open
as it does.

ON BECKY,

trying to keep quiet, her POV: we see teh Raptor only two
shelves away.

She turns back to her hiding spot, quietly crawling toward
the WALK-IN FREEZER.

CUT BACK TO:

INT. COMPUTER ROOM

Kyle turns toward the door, he opens it, and OUT POPS
MICHAEL,

the boy screams and slams the door again, locking it.

CLOSE ON WINDOW, it smashes open and MICHAEL'S HAND pops
out,

and grabs hold of Kyle's neck.

CUT BACK TO:

INT. KITCHEN

The raptor is right behind the rack, it sneers, sniffing the
air,

it doesn't seem to see the girl, it jumps into the air and
lands

on a shelf, scanning the area.

ON BECKY, she hurries out of her hiding place and crawls
down a

narrow passage of steel shelves on either side of her, she
approaches the end, and takes a left.

PAN ABOVE

to reveal another RAPTOR, locking eyes on the girl, leaping
up

from the enterance to the doorway-

BECKY breaks into a SCREAM and scrambles to her feet,
running

like hell on highwater toward the WALK-IN FREEZER

CUT BACK TO:

INT. COMPUTER ROOM

Kyle lashes out weakly, trying to bat away ethe leathal
hands,

Michael just squeezes harder.

KYLE

AHH...

The boy reacts like a cat and drives his teeth into the
monster's

hand, Michael breaks away, Kyle just grabs for a rifle then
hurries off.

INT. KITCHEN

Becky hurls open the large steel door, the RAPTOR jumps
beside her, she immediately rushes inside.

INT. WALK IN FREEZER

Ice crystals incrusted into the walls, Becky falls and slips
on the icy floors, knocking into a rack of STEAKS. She grabs
one,

and tosses it to the raptor in front of her.

It gobbles it up, Becky dashes for the door, falls again.
The Raptor screeches, attempts to jump, instead it slips on
a piece of ice and crashes into a rack of frozen fish. Becky
screams, runs for safety.

CUT TO:

INT. HALL WAY - 2ND FLOOR

Kyle reaches the stairs, a mad force driven within him, he
runs down them with superhuman speed, he descends and looks
around.

KYLE

BECKY!!?

After a few moments, Kyle watches in terror as BECKY runs
across his path, screaming, she hurls open a gate doorway
labelled "BOILER ROOM", following her are a bunch of
raptors, they dont see Kyle, just running after Becky.

KYLE

BECKY!!!!

He makes a break for it, pushing the doors open in front of
him, he enters-

INT. FREIGHT ELEVATOR

The elevator descends. Bars of light move rhythmically
across him as Kyle stands facing the doors, watching the
landings go by. The heat grows more intense.

Pipes glowing cherry-red pass by. Steam hisses and billows.
The lift clatters in a steady beat. Hypnotic. Kyle removes
his jacket and dons a battle harness directly over his
T-shirt.

His hair is matted, and he glistens with sweat. His eyes
burn with a determination that holds the gut-panic in check.
The elevator descends. He checks his weapon.

Attaches a BANDOLIER OF GRENADES to his harness. Primes the
flamethrower.

Checks the rifle's magazine. Racks the bolt, chambering the
first round. He checks the MARKING FLARES jammed in the
thigh pockets of his jump pants.

He drops an unprimed grenade, trembling, forcing himself to
be strong. We SEE he doesn't know doodley about grenades.

This is the most terrifying thing Kyle has ever done. He
begins to hyperventilate, soaking with sweat. His fingers
slick and slippery on the rifle. The elevator descends.

The lift motors whine, slowing. It hits bottom with a bump.
The safety cage retracts. Slowly, expectantly, the doors
open.

HIS P.O.V. THROUGH the parting doors...an empty corridor.
Dark, swirling with steam, a ruddy glow VISIBLE here and
there.

It seems to have been a descent into Dantean Hell.

The air itself vibrates with heat distortion.

Couplings groan. Machinery whines and throbs. Like the
beating of a vast heart the pounding of massive pumps echoes
through the boiler room.

INT. CORRIDOR

Kyle steps into frame, he jitters down the poorly lit
passage, his voice breaking-

KYLE

My lucky star.. lucky lucky lucky

lucky lucky...

CLOSE ON HIS FINGERS,

shaking sympathetically, poised with a death lock over the
trigger, he's about ready to fry anything in his path.

TIGHT ON KYLE, another streak of sweat glides down his
forehead, he points the flamethrower aimlessly about, his
hyperventilating

has started up again.

SSCCCRREEECCHH... the sound of a hungry raptor.

Kyle reacts with a scream, he swings around in a circle, a
stream of fire following from his thrower. He does this over
and over a gain, until he hears no more screeching.
Stopping, he drops to his knees, trying to calm himself, he
holds his intensely shaken hands under his knees.

KYLE

Lucky lukcy lucky lucky...

He stands back up when...

Without warning it moves like lightning, straight at him.

Kyle spins, sprinting, as the creature leaps for him.

Its feet slam, echoing, on the deck behind him.

He clears

a door, moving for the elevator, the raptor approaches when
Kyle Hits the switch, incidentally the raptor jumps inside,
it was intending to jump after Kyle. It WHIRRS closed. BOOM.
The

Raptor hits a moment later.

Kyle makes a run for it, charging down the dark corridor
lying ahead.

INT. NEW CORRIDOR

Kyle blinks sweat out of his eyes, moving through the

swirling steam of the never ending maze. He approaches an

intersecting tunnel. Flashing emergency lights

illuminate the insane fresco of the walls.

He spins,

firing the flamethrower. Nothing there. He whirls

back. Moves forward, trembling and adrenalized.

INT. STAIR WELL

Lying unconcious on the steel incoded stairs is BECKY, by
looks of the bloody gash followed by a bruise on her
forehead, she appears to have been knocked out. She awakes,
aware of her surroundings, she squirms down the stairs, and
sees she is staring right into the eyes of an ALMOST GROWN
UP Raptor!

She screams in terror.

INT. NEW CORRIDOR

Kyle hears the scream and breaks into a run.

EXT. STAIR WELL

Becky watches as the raptor bares its razor sharp teeth,
Kyle runs in just as it is tensing to leap, and FIRES,
blasting it with a burst from the assault rifle.

The flash illuminates the figure of an adult raptor, nearby.
It spins, moving straight for Kyle. Firing from the hip he
drills it with two controlled bursts which catapult it back.

He steps toward it, FIRING AGAIN. His expression is

murderous. AND AGAIN. It spins onto its back.

He unleashes the flamethrower and it vanishes in

a fireball. Kyle runs to Becky. He swings her up

onto her back.

KYLE

Becky, I want you to hang on

now, and hang on tight! Ok?

Groggily Becky hooks her arms and legs through the belts

of Kyle's battle harness as Kyle picks up her

weapon.

More raptors are moving toward him among

the blasts of steam. He fires the flamethrower. Some raptors
are engulfed. One of the raptors lunges forward, a

living fireball.

He blasts it in half with two

bursts from the M-41A. Kyle retreats, ducking under

a glistening cylindrical mass. A PIERCING SHRIEK

fill the chamber. He turns. And there it is.

A massive silhouette in the mist, The large T-Rex himself.
How did he get in? Who knows. It lets out a arrogant roar,
The creatures vanish in rapid-fire flashes.

Kyle

backs away, venting his terror in a sustained orgy

of fire as he blasts everything that moves in one

long eye-searing expenditure of energy. Then he

dashes into the catacombs, navigating by sheer primal

instinct.

INT. CATACOMBS

Kyle runs, blindly, with panting intensity verging

on hysteria. Impressions crash upon him...the maze

blurring by, sirens howling, the boiler room rocking with

explosions, emergency lights flashing, steam blasting,

red-hot steel hissing.

Reality itself is reduced to

a concussive series of strobelike instants of

relentless forward motion.

 

BECKY

What's going on?!

KYLE

I set the center on Self Destruct!

BECKY

YOU WHAT?!

INT. CORRIDOR

The large animal rears itself, moving its huge and powerful
hind legs and it LUMBERS out of there, trying to follow the
two.

INT. CORRIDOR / EXT. FREIGHT ELEVATOR

Kyle uses the flamethrower ahead of him, firing

bursts of pulse-rifle fire down side corridors at

indistinct shapes and shadows. The weapon is empty

when he reaches the freight elevators.

A mass of

debris, falling down the shaft from a higher level,

has demolished the life cage he descended in. He

slams the control for the other cage and hears the

sound of the LIFT MOTOR'S WHINE as it begins its

slow descent from several levels up.

AN ENRAGED

SCREECH ECHOES in the corridor. Kyle sees a

silhouette moving in the smoke...a glistening black

shape which FILLS THE CORRIDOR TO THE CEILING...THE

REX. His last cartridge is reading zeroes.

The

flamethrower sputters uselessly when he tries that.

The grenades are gone. Kyle drops the weapon and

looks up the shaft to the descending lift...then at

the approaching FIGURE.

The elevator won't be in time.

He runs to a ladder set in the wall as a horrendous

screech beats in his ears. He scrambles up the

rungs.

INT. SECOND LEVEL

Kyle struggles up through a narrow hatch, Becky

clinging to him. He dives aside as a RAPTOR

shoots up through the opening, its

razor claws slamming into the grille-floor inches

from him. Kyle bats it away, it screeches and falls

into the endless abyss.

Looking down through the grille he

sees the great horrifying jaws directly below him,

wet and leering. He scrambles up, running, as

the grille-floor lifts and buckles behind him

with the titanic force of the creature below.

 

It hurls itself with insane ferocity against the

metal, pacing him from below as he runs.

INT. STAIRWELL

Kyle reaches an open-grid emergency stairwell and

sprints upward. It rocks and shudders with the

boiler room's death throes.

VOICE

You now have six minutes

to reach minimum safe

distance.

INT. CORRIDOR - ELEVATORS

The lift reaches bottom, the doors rolling open.

The Rex turns and freezes, as if contemplating

the open lift cage.

INT. STAIRWELL

Kyle stumbles, smashing his knees against the

metals stairs. As he rises he hears the LIFT

MOTORS start up.

Looking down through the lattice work of the boiler room he

sees the life cage start

ominously upward. He knows there is only one

explanation for that.

He runs on, the stairwell becoming a crazy whirl

around him.

EXT. LANDING PLATFORM

Kyle, with Becky still clinging to him, slams

through the door opening onto the platform. Kyle

spots the exit door.

EXPLOSIONS

detonate in the complex far below and huge fireballs

swell upward through the machinery.

The platform bucks

wildly. Nearby a cooling tower collapses with a

THUNDEROUS ROAR and the SHRIEK OF RENDING STEEL.

More

EXPLOSIONS, one after another, rocketing up from below.

Kyle stares transfixed as the lift stops. The

safety cage parts.

He wastes no time, hurrying through the partially destroyed
atmosphere, pushing past the heavy steel exit door.

EXT. BOILER ROOM - INT. MAIN ROOM / VISITORS CENTER

Once they get out, Kyle drops to his knees, exhausted as

hell, he's NEVER been that scared before. NEVER.

BECKY

Come on! We have to hurry!

VOICE

You now have thirty seconds to

reach...

KYLE

Shit!

Kyle takes Becky by the hand, they flee toward the exit

door of the Center.

EXT. VISITORS CENTER

The peaceful enviroment of the outside is horribly shattered

as the Visitors Center begins to crumble, explosion after
explosion after explosion, windows shatter as huge fireballs
burst pass them, Kyle and Becky retreat to a JEEP, Kyle
starts

it and it rars off into the distance.

INT. JEEP

Kyle driving the jeep madly, Becky in the backseat, a
FIGURE..

arising in the trunk...

Becky peers out the window, watching the center turn into a
firey gaze.

EXT. JEEP

We hear the EAR PIERCING SCREAM of BECKY, the jeep skids to
a

stop.

INT. JEEP

Kyle crashes into the backseat, beating the hands of Michael

away from her.

KYLE

Get away from her you BITCH!

He picks up a huge box from underneath the seat, and smashes
it

against Michael's face. It makes no difference.

KYLE

Uh oh.

Michael advances toward the two, knife raised. Kyle grabs
Becky, covering her eyes.

KYLE

(to Becky; low)

Close your eyes, baby.

SUDDENLY

The ENTIRE TOP of the jeep RIPS OFF, THE REX's jaw OPENS and
picks up MICHAEL, raising him up, thrashing him around then
gulping him down.

A serial killer defeated.

 

The rex lets out a SATISFYIED GROWL, the jeep immediately
starts

up again, tumbling down the path followed by an impression
of dust.

INT. LANDING PATH / EXT. FOREST

Drained of all his energy, Kyle steps out of the vehicle, he
pops open the backseat door, he gathers up Becky, they both
limp over to the whirrling helicopter, ready and set.

INT. HELICOPTER - BACKSEAT / MOVING SHOT

Exhausted, worn, but not defeated, Kyle Strode, resting on
the soft cushions of the helicopter seats, in the row in
front of him BECKY lays down, staring out the window,
watching magestic scenery roll by. Jungles. Forests. The
lovely ocean.

Kyle lets out a weak smile. Becky looks up at him.

KYLE

It's okay, Becky. We made it. It's

over.

Becky gives a reasurring grin, and continues her stare out
of the window. Kyle joins her.

EXT. HELICOPTER - OCEAN

We watch the sun begin to set, shimmering its rays down on
the ripples of water, a hush of silence, some birds squaking
in the distance, the HELICOPTER passes across us, we PAN
back to the beautiful sunset, and--

 

                                            CUT TO:

INT. HELICOPTER LANDING / SAN DIEGO - DAY

Its the next morning, a flurry of reporters and news cameras
await in the outtings, they watch as the massive copter
steadly slows to land, the doors fling open and Kyle along
with Becky step out.

ON KYLE, he watches as a million microphones are shoved in
his face. Becky clings onto Kyle, scared of all the
attention.

REPORTER

Hi, Gale Weathers, TOP STORY, you spent nearly a week on
that island, what was it like?

REPORTER #2

Hi, Mary Hart, ENTERTAINMENT TONIGHT, how-

KYLE

Please, no questions.

He takes Becky and pushes his way out of the crowd, he sees
a squad car awaiting him.

BECKY

But where am I gonna go??

Kyle pauses, looks at her.

KYLE

You're coming home with me.

They smile, Beck steps into the vehicle as well, it drives
off into the distance, annoyed reporters retreat back to
there stations, we PAN TO THE SKY, we STAY THERE, admiring
the beauty, a tense MUSICAL CLIMAX BUILDS, until the T-REX
ROARS for one final time, it steps into frame, its jaws wide
open and CHOMPS onto the screen, we

    BLACK OUT
 

FADE OUT

the end
 

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