Well here we have it. The last of the HalloweeN 199(insert number) trilogy.
I hope you
enjoy this as much as I did making it. Oh, and yeah the ending is a bit like H4 but
We slowly see a dark image in the background,
walking closer and closer and closer towards us.
This figure has a gleaming object in hand, which
appears to be silvery and sharp. The figure comes
more and more into view, until we see its
MICHAEL MYERS. Main Titles begin.
WORDS ON SCREEN
Just When You Thought It Was The Last Night HE
The Main Title zooms past us as we slowly FADE
IN to see…
INT. BASEMENT - COSTANZA HOUSE -
Kyle runs into the laundry room. He can see a
clear view of the staircase.
Michael then stumbles over to the basement door
and falls down the staircase.
Kyle closes the blinded laundry room door.
Michael looks around the room for a while, then
walks over to the door and gives it a swift punch
and the whole door crumbles to a pile of wood on
Kyle lets out a shriek. He picks up a broken piece
of wood with a sharp and serrated point on the
end. Kyle throws it at Michael and it goes straight
into his heart. Michael takes the bloody piece of
wood out and throws it back at Kyle.
Kyle ducks but it scrapes off the side of his
Kyle takes his axe and chops down onto Michael's
A muffle from under his mask almost sounds like a
Michael looks at Kyle and the muffled words
"Goodbye" come out from the mask.
Kyle slashes Michael across the chest.
Michael lets out a silent scream.
Finally, with one swift and lucky move, Kyle
swings his axe over to Michael.
Kyle closes his eyes before he can see where he
hit Michael. He slowly opens his eyes to see….
Michael's head falling to the floor and rolling
Kyle has decapitated Michael.
(happy and exhausted)
Did I do that?
Kyle drops to the floor, exhausted.
Michael's body falls dead.
Kyle drops the axe to the floor and walks away.
But, he accidentally dropped it next to the furnace
and makes a big cut in it.
Suddenly, the furnace explodes and sets the
basement on fire. Michael's body engulfs in
SMASH CUT TO:
INT. SOMEWHERE IN THE COSTANZA
HOUSE - THAT VERY MOMENT
KYLE convulses with a loud SCREAM, to see
that he is lying in a pile of blood, with a scar on his
forehead. Kyle has waken from a dream. He looks
around himself, and tires to scan his surroundings.
He gets a confused look on his face.
INT. UPSTAIRS HALL WAY
Kyle runs up the stairs in a huff to see the DEAD
BODIES OF HIS FRIENDS. He covers his mouth
with his hands, and feels his lunch creeping up on
MICHAEL!!! WHERE ARE YOU???
He spins around to see MICHAEL running past
him, and out of a door, into the night. Just as
Michael exits, a loud SIREN IS HEARD in the
background. The police are approaching.
All of the sudden we see MICHAEL lighting a
torch, and setting the house on fire. Kyle looks
back, with a look of fear on his face.
Fire spreads and catches with virtually everything.
MICHAEL GET OVER HERE!!!
But Michael is already gone.
FADE TO BLACK
Words on screen: A year or so later, October 29th
EXT. KYLE'S HOUSE - ESTABLISHING
INT. KYLE'S HOUSE - LIVING ROOM
Kyle, and his friend Christine sit on a couch, there
eyes glued to the television. Playing on tv is
NIGHTMARE ON ELM STREET.
Tina screams as she is dragged all over the ceiling
on her mom's bedroom. Rod shrieks, and a sudden
JOLT OF BLOOD spurts from Tina's chest, as if 4
distinct razors are ripping at it.
REVERSE ANGLE Christine hides her face in a
pillow, she hates scary movies, especially the
(keeping an eye on the tv)
Chrissy, you would think that you are more mature
then that while watching these movies.
I'm 17 years old and I do not care. Why do you
look so sad?
I guess I'm just still missing my friends...
(sighing as well)
Its been a whole year!
Not exactly a whole year, it ain't Halloween yet.
I'm sorry that you lost all of your friends in one
night. What were their names again? Anna...
(continuing for her)
Will… Niles ... and Murphy. It was so horrible... I
saw all of their dead bodies as if in one blur... all I
remember after that was Michael slamming
something on my head then I drifted off... then I
You told me this story so many times!
(impersonating Kyle's voice) " My brother Michael
came after me and then he killed all of my friends
oh boo hoo I then dreamed I chopped off his head
and yadda, yadda, yadda I can immediately make
people feel sorry for me".
You are such a bitch.
Why thank you.
(calling from kitchen)
Kyle! Get in here!!!
Kyle jogs into the kitchen to see his parents sitting
down at a table going over some papers and what
Hey, what's going on?
Well, we're moving! Surprise!
What??! WE'RE MOVING??!
We decided it would be for the best. I mean, we're
moving back to our home town in Haddonfield!
(as if remembering something)
Remember when we moved away from their after
Laurie's death? Well we're moving back honey!
(with a huge grin on her face)
Well dear, what do you think?
Kyle looks like he's about to explode.
WE CANNOT MOVE BACK TO
HADDONFIELD! IF WE DO THEN MICHAEL
WILL FIND US THERE AND---
Now I thought we all agreed that Michael is not
alive and he will not come after us?
Fine. But if I come home one day in Haddonfield
and you're all dead, don't say I told you so.
INT. STREETS - THE NEXT DAY
Words on Screen: October 30th
Kyle makes his way down the street, and meets up
with his two other friends, Richard and Joyce.
Hey guys, what you guys doing?
Oh nothing. We were planning to go over to my
house to watch some scary movies. Lets see…
Child's Play… Wes Craven's New Nightmare and
It'll be fun! Wanna come?
Sure. Is Christine or Rachel coming?
Well Chrissy is staying in Mexico City for the
week, didn't she tell you?
Well no she didn't.
As for Rachel I do not know.
Well what are we waiting for? Let's go!
INT. RICHARD'S HOUSE / BASEMENT -
Kyle, Joyce and Richard are all huddled together,
scared as heck as they watch CHUCKY on screen
run around trying to kill little Andy.
How can he be so cruel?
What do you expect he's a doll that kills people.
Ha she sure told you.
Richard growls and smacks Kyle with a pillow.
Joyce snickers, as KYLE leaps up from the couch
and JUMPS Richard to the ground. They both fall
laughing, as SUDDENLY the electricity goes out.
Richard and Kyle stop, as Joyce shrieks and
knocks over something in the darkness.
I'll check it out.
INT. UPSTAIRS HALL WAY - THAT MOMENT
Richard runs to the kitchen and grabs a large,
shiny knife from the knife rack. He walks out
momentarily, checking other portions of the house.
He gingerly sets the knife on a counter, and walks
elsewhere off screen.
CLOSE ON COUNTER as a burnt and scarred
HAND reaches up behind it, and feels around the
sleek surface, till it comes upon the knife. The
hand grabs it and pulls it off screen.
Meanwhile Richard walks back into the kitchen,
and discovers the KNIFE gone.
Richard walks back in, with a worried look on his
face. The others stare at him.
What is it?
Richard walks over to Joyce and whispers
something in her ear. Joyce nods, and they both
look at Kyle.
EXT. RICHARD'S HOUSE - THAT MOMENT
The front door opens, to reveal RICHARD and
JOYCE dragging Kyle out.
Hey! What the big idea?
Uh Kyle can we ask you something?
Well now that you have my undivided attention….
We know you have a lot on your mind. But is
there anything you are not telling us? I mean last
year we just heard on the news 5 teens died and
that's it, but we want the real story Kyle. Please
tell us. Remember last year on Halloween? You
were going to go baby-sit....
Uh you guys, I don't want this to turn into a "I still
know what you did last summer" situation when
the hero has a dark past that doesn't want to be
revealed to the friends...
Tell us, Julie James.
All of the sudden RACHEL leaps out at Kyle,
making him scream.
She breaks out into laughter, but stops and sees
that everybody is deadly serious.
Nice one, Rachel.
What's going on here?
We're trying to get Kyle to tell us what happened
last year on Halloween.
What are you guys talking about?
Why is it now that you are bringing it up?
Because we want to know why you're sad and
distraught all the time!
(walking past them)
I am not at liberty to talk about it.
Hey, I want to know, too!
Kyle stops, and looks back at them. They look at
each other for a second, till Kyle breaks the
I just... I just don't feel right telling you about how
somebody killed my friends.
We're you friends Kyle! I , and the rest of us want
to know the WHOLE story!
(approaching the group)
Fine. If you want to know. You'll know.
EXT. COSTANZA HOUSE (or what's left of it)
The house of where the Costanza's house used to
live, is now a pile of cinder and ashes. The 4
friends approach the vacant lot, and 3 out of the 4
look at each other confused.
Kyle, its just a bunch of ashes and stuff.
Oh you'll see...
Thunder ROARS and lightning FLASHES across
the sky in one big pulsation. Rain pours down from
the large clouds, soaking the 4 completely.
You sure you guys want to know…?
Yeah! Tell us! I want to know.
Oh alright… After I decided to babysit for Anna...
well... it was the biggest mistake of my life... We
didn't know it at first, but Anna was killed in her
sister's car just before we were about to take off.
We used my mom's BMW to get there, to get
HERE to babysit. Murphy dropped me and Alexis
off here, and she went to find Anna. After Alexis
took off, Niles and Will came by... I shooed them
away... and I was left alone.... that damn child
Frank left me in the house all alone, with the
power cut off. (sniffing, almost crying) Then...
then I heard these, these THUDS... (stuttering to
remember) and then... I went... I went upstairs
(now crying completely with the rain dribbling all
over him) I then went into the bedroom... (crying)
I saw.... I saw....
Everyone is now totally and deathly silent. His
words have touched and shutted up everybody.
I saw the bodies of Anna.... (crying more) I then
ran down the stairs after seeing a few more bodies,
I then stumbled upon Will's... (crying so hard he's
barely able to talk)... I... I grabbed on axe and met
up with MICHAEL. After a few struggles... he
bopped me on the head with a baseball hat and I
was out cold. Michael must have thought I was
dead... I dreamed I killed him.... NOW HE'S OUT
THERE WATCHING AND WAITING TO GET
ANOTHER CHANCE TO KILL ME AGAIN!!!!!
(spinning around in a mad anger) COME AND
GET ME!!!!!!! I'M RIGHT HERE! RIGHT HERE
COME ON!! YOU AND ME!!!
The rain stops. A rainbow springs up into the sky.
Everyone has now been deeply disturbed by Kyle's
tale. They all pant wildly, soaked to the bone.
Well that was very... (gulp) ... interesting.
Is that really what happened Kyle???
Yes. Are you happy? Are you? ARE YOU?
Kyle! We're sorry we brought up unpleasant
memories, but if you kept it inside you like this for
a long amount of time it will cause, well, I don't
know, you might go...
Joyce drills her finger to her temple. Kyle looks at
her thoughtfully, and speaks up.
I appreciate it, you guys. I really do.
Kyle walks away, leaving the 3 dumbfounded.
Rachel watches him walk off.
God its not like we slapped him across the face or
INT. CHRISTINE'S HOTEL ROOM - LATER
We pan around the hotel room of Christine. Its
fairly big. Victorian. The usual. We stop when we
come upon CHRISTINE talking on the phone with
(to Rachel on phone)
He actually told you about what happened? God!
Yes. Did he tell you?
Yeah he did. He seems to isolated, locked up in his
room all the time.
INT. KYLE'S ROOM - THAT MOMENT
Kyle is feverishly scribbling something down on a
piece of paper. He takes long strides and strokes
on it, indicating he's drawing something. He
remains drawing, until a knock is heard at the
In a beat the door opens and Kyle's mom steps
inside, closing the door behind her.
Hi Kyle, what are you doing?
(covering up his work)
I know you're doing something.
I'm not doing a thing.
Ah, I give up. I just came here to tell you that you
should start packing up today, the movers are
coming by tomorrow. You can spend all day
tomorrow saying bye to your friends if you wish.
Mrs. Strode opens up the door, walks out, and
shuts the door behind her. Kyle looks back at the
Its a simple, yet kind of crude sketch of KYLE
chopping off Michael's head with an axe as he
REVERSE ANGLE ON KYLE, as he looks at the
drawing in some secret torment, and SUDDENLY
reaches out and rips it to shreds in a mad rush. He
lets the pieces of paper fall to the ground, as he
raises his hands over his face and slowly begins to
FADE TO BLACK
WORDS ON SCREEN: October 31st
EXT. KYLE'S HOUSE - THE NEXT MORNING
Two men in white jackets marked "JOE'S BIG
AND BOLD MOVING TRUCK AND BUSINESS"
steadily carry a large leather sofa and they unload
it in the compartment of the big moving van set in
Moments later Kyle and his parents step out. Kyle
looks back at his house with a slightly sad
expression. He looks back at his parents and sighs.
Do we have to move?
Yes we do, dear.
This sucks! I just made new friends and you know
Now Kyle you promised me you wouldn't make a
INT. STREETS - THAT MOMENT
We slowly see JOYCE and RACHEL walking
down the side walk, heading for Kyle's house for
one last goodbye.
So what are you going to say before Kyle moves?
Oh I would probably scare him one last time or
Joyce and Rachel walk past a large hedge that
spreads down a good sum of the sidewalk.
They continue the chatter, when MICHAEL'S
HAND reaches out of the bush and GRABS Joyce
by the mouth, covering and concealing her
screams as he PULLS her in with him and murders
Rachel, who is yammering all to herself doesn't
know this, so she just continues to walk.
And so I said to her "Way" and she is like "no
way!" and I am like "way!" and she still doesn't
believe me so she says "no way!" Can you believe-
Michael grabs her from behind and holds her up by
the neck. Rachel screams, as Michael slams her
down against the black tar of a drive way. Michael
pins her down, and raises the bloodied knife in his
Rachel lets a loud blood curdling SCREAM as
MICHAEL whips the knife through the air and
SLASHES HER right across her chest. Blood
spurts out feverishly as MICHAEL stabs her again
and again, causing more spurts and jolts of blood.
EXT. KYLE'S HOUSE - THAT MOMENT
Kyle hastily gets into his father's rusty Cadillac, as
it starts up with a loud BOOM.
Richard is seen walking down the sidewalks,
heading for Kyle's house which is right down the
KYLE OVER HERE!!!-
Michael grabs him from behind and sticks the
knife up his back till his mouth lets out a long
trickle of blood. The Shape takes the knife back
out, as Richard falls dead on the ground.
EXT. KYLE'S HOUSE
One of the movers is leaning against the side of the
moving truck, reading a porn magazine. This
distracts him from MICHAEL who is climbing into
the compartment at the back of the truck and
slamming the door behind him.
The SLAM of the door JOLTS the mover back to
business, as he heads into the driver's seat and
starts the engine.
INT. ROAD - LATER
The rusty Cadillac and the white moving van clear
down the road, with the sign "WELCOME TO
HADDONFIELD, ENJOY YOUR STAY IN THE
CITY THAT INVENTED MURDER". After the
sign comes a picture of Michael Myers.
Kyle looks out the window and watches the
If they want to attract people to the town why the
hell did they put up that sign!
(from the front seat)
Language, honey. Watch the language.
Mom I'm 14 years old I think I can say hell or
damn or sh-
Hey, we're here!
We watch as the Cadillac and Van approach the
exact same STRODE HOUSE from the first film.
Kyle steps out of the car.
Hey this is the exact same house we had when we
(stepping out of the car)
I know, isn't it great? Wow.
(whispering to himself)
It looks like cow shit run over twice with a twirling
What was that, son?
I said it looks like a mansion with good lawn
INT. NEW STRODE HOUSE - LATER THAT
The family has settled in. They're partially done
packing, so parts of the house are empty.
Kyle walks into the kitchen to see his dad on the
phone with somebody.
Uh huh. Yeah. Ok. So its agreed. Kyle takes
Tommy out trick or treating. Ok. Bye.
He hangs up and Kyle screams at him.
You remember your little cousin? Tom?
Remember? His parents have to work, and he
really wants to go out trick or treating, so I thought
maybe you could do it…
Oh this is just great dad, don't even discuss
ANYTHING with me huh….
Now Kyle you know that you can do lots of stuff
around here and we ask for so little so just this one
But I don't even know this neighborhood, what if I
get lost while doing this?
Oh Tommy knows the neighborhood from head to
toe he'll show you around.
Mr. Strode exits, as Kyle places his hands on his
head and lets out a small yell of anger.
EXT. KYLE'S NEW HOUSE - SUN SET
Kyle steps out of his house, and shuts the door
behind him. He walks down from the steps and
looks around him.
KYLE'S POV the sun is now a beautiful pinkish
orange, the streets are jam packed with Halloween
ornaments and early trick or treaters.
REVERSE ANGLE Kyle walks across the street
and goes towards Tommy's house somewhere
down the road.
Watching Kyle walk down the sidewalk, crossing
streets and what not. Heavy breathing serves as
INT. CEMETARY - THAT MOMENT
Kyle must pass through the cemetery to get to
Tommy's house. He passes many grave stones and
statues and stuff till he stops at a particular one.
KYLE'S POV The grave stone reads:
OUR BELOVED DAUGHTER
the mother of Jamie Strode Lloyd, wife of Jimmy
Lloyd, sister of Kyle Strode and deceased Judith
REVERSE ANGLE ON KYLE his face
weakening as seconds pass. He wipes off an
upcoming tear with the back of his hand.
He walks away from the grave stone, and
COMING FROM BEHIND A TREE a FIGURE
leaps out at him and SCREAMS IN HIS FACE.
Kyle steps back and lets out a loud SCREAM then
He stares blankly at a little boy wearing a Michael
Myers mask. The boy rips his mask off, to reveal
the face of 7 year old TOM STRODE.
Tommy??? Ugh! Why did you do that and
WHERE did you get that mask????
Well Hello to you to Louis.
Louis is better!
Kyle lets out a shriek of frustration and drags
Tommy along with him down the cemetery.
The Shape stares at them from behind a tree,
watching them go up to a house.
INT. NEW STRODE HOUSE - LATER
Mrs. Strode is at the door, getting ready to go off
(calling to her husband)
I'll be back in an hour or so, I need to work out
something at the bank!
(from somewhere in the house)
OK, SEE YA LATER!
Mrs. Strode opens up the door and steps out,
closing the door behind her.
INT. LIVING ROOM - LATER
Mr. Strode lies down on the couch watching TV.
He starts to doze off, till a loud shrill WHAP is
heard from somewhere in the house.
Mr. Strode bolts up from the couch.
Somebody there? Kyle? Is that you?
Mr. Strode turns around momentarily, missing the
SHAPE walking into the kitchen.
SHAPE'S POV we open up a kitchen drawer and
search through a jumble of sharp and shiny things.
We finally pick out a big sharp pair of scissors.
INT. HALL WAY
Mr. Strode walks down the hall and opens a closet
A BASEBALL BAT FALLS OUT OF THE
CLOSET AND LETS OUT A LOUD BANG as it
hits the ground. Mr. Strode steps back, startled.
He leans against the wall to calm himself.
In the background, we slowly see the OUTLINE
OF THE SHAPE approaching MR. STRODE with
the sharp slender scissors in a death grip. He gets
closer and closer and GRABS MR STRODE by
the neck and slams him against the wall.
Mr. Strode screams and watches Michael slowly
raise the scissors in the air… and off screen it
STABS MR STRODE somewhere, and we see a
large stream of blood spurt out from him and
splatter against a wall.
INT. STREETS - LATER THAT NIGHT
Its dark and cold outside, and around 11 o clock.
Most trick or treaters are gone, but we see KYLE
and TOMMY running down the streets.
Tommy, its almost 11 c lock and your parents said
to have you back by 10! Now come on!
But I want to stay and get more candy!!!! MORE
AND MORE AND MORE!!!
(begging with him)
Please!? Come on!!! We have to go-----
Kyle looks off in the background to see the dark
shadow of the SHAPE watching him. He shakes
his head, trying to get the picture away from his
mind. He leans against a lamp post, catching up
with his thoughts, only to see TOMMY is gone.
Oh this is just great.
INT. ANOTHER EMPTY STREET
Kyle runs down the sidewalk, screaming Tommy's
name, frantically trying to find him.
TOMMY!!! TOMMY WHERE ARE YOU???!
TOMMY COME OUT THIS VERY INSTANT!!!
He runs across another road.
EXT. ABANDONED WAREHOUSE - THAT
A giggling Tommy Strode steps inside the Ware
House and shuts the large and rusty door behind
INT. ABANDONED WAREHOUSE
Tommy giggles some more and runs off down into
the ware house. He opens up a door, enters to
reveal more doors leading to more hallways. He
laughs loudly and runs down one.
In a few moments, THE SHAPE walks into the
ware house and walks down the long hall after
INT. STREETS - CONTINUOUS
Kyle is still running down the streets, searching for
Tommy. He puts his hands on his hair, and then
spots the Ware House.
INT. WARE HOUSE - SOME HALL WAY
Tommy runs laughing down the hall, not knowing
the SHAPE is following him. He turns around for a
moment and sees him. He spots the bloodied knife,
and he screams loudly.
INT. WARE HOUSE - SOMEWHERE
Kyle, who hears Tommy's screams, runs in his
We see TOMMY run down the hallway in an
angle, and in another we see KYLE running down
it, and on another we see the SHAPE walking
down the hall.
Tommy and Kyle spot each other, and they run.
They meet finally and hug.
(crying a little)
Don't you ever run off like that again! Never!
(crying a lot)
THE BOOGEY MAN! I SAW THE BOOGEY
MAN! HE'S AFTER US WE HAVE TO RUN!!!!!
Kyle and Tommy run hand in hand down the hall
and Kyle struggles to open a locked or jammed
Come on… come on…
He bangs loudly on it, and suddenly the door
SWINGS OPEN to reveal that THE SHAPE was
standing right behind the door!
Kyle and Michael meet face to face. You can
almost feel the rumble in the air as…
The Shape raises the knife, and whips it at Kyle
just as he SLAMS THE DOOR just in time.
Kyle grabs Tommy and they run down the dark
and damp corridor.
Meanwhile the shape opens up the door and steps
INT. A NEW HALLWAY
Tommy and Kyle are seen dashing down the long
corridor, frantically trying to find a place to hide.
Tommy continues to run, but Kyle trips over
Meanwhile The Shape is starting to go faster and
faster down the hall, he's dreadfully determined to
get Kyle. Kyle scurries up in a mad rush and
catches up with Tommy just before the KNIFE of
the Shape hits the ground next to him.
INT. ROOM - CONTINUOUS
Kyle and Tommy run inside, to discover the exit.
Kyle opens it up, to reveal that it's a dark alley
(out of breath and scared)
Ok… ok… Tommy I want you to wait out here.
Ok? Wait here.. wait here. Do not go inside not
even if you hear me scream. I want you to stay
here, until I come back out and tell you to come in.
Tommy nervously nods and steps inside the alley
way. Kyle closes the door, and heads back into
the interior of the ware house.
INT. SOME SORT OF DIRT ROOM
Kyle runs inside the LOCKS THE DOOR behind
him. He looks around to reveal that there are
radios and stuff around and about. Also, the floor
is covered with sand. He looks to the other side of
the room to reveal a door made out of boarded
He runs over to it and furiously tries to open. It
Kyle looks under the door, to see a small opening.
Its caked with sand, and maybe he could get
through if he widened it…
Kyle wastes no time and walks over to the radio.
He switches it on, and off, it makes a whizzing
sound till it dies out.
ALL OF THE SUDDEN the Shape bangs loudly
on the locked door which Kyle used to enter. Kyle
screams, and runs over to the door which he can't
To Kyle's surprise, the Shape begins to dig the
small opening at the bottom of the door, trying to
Kyle does the same to his door, and frantically
tries to dig the sand away from the bottom of the
door, to make a deep trench which he can get into.
Kyle looks behind him to see the SHAPE digging
away furiously with his knife.
The Shape and Kyle race as they dig at the bottom
of the doors, one trying to get in one trying to get
After a few breathless moments, Kyle is able to dig
deep enough so he can crawl through. He does so,
and when he gets out to the other side the SHAPE
enters in the room he was just in. Kyle wastes no
time as he PUSHES THE SAND back into the
opening he made, trying to block it from the
When he finishes, he runs exhausted down the
INT. ALLEY WAY/ EXT. WARE HOUSE
Kyle speeds out of the Ware House, grabs Tommy,
and they both run down the long Alley, and make
there way onto the streets again.
The sidewalks, roads and what not are empty, no
one can be seen in sight, except for TOMMY and
KYLE who are running down the long and damp
roads, their footsteps echoing simultaneously as
They clear down the road, and enter Kyle's street.
Kyle instantly spots his house, and they run over
Meanwhile we see the SHAPE walking along the
sidewalks, spotting Kyle and Tommy.
INT. STRODE HOUSE - CONTINUOUS
Silence, until an exhausted Tommy and Kyle open
up the door, run inside, and lock the door behind
them. Kyle drops to his knees and pants wildly.
Tommy slumps down into a corner, as Kyle runs
down the hallway.
Dad??? Mom??? Anybody here???
Kyle looks around for a while, but gives up. He
opens up a closet and sees…
HIS DAD. HANGING FROM THE BAR, HIS
THROAT SLASHED, AND HIS STOMACH
GAPING WIDE OPEN, A LAYER OF BLOOD
AND RIPPED FLESH ARE SPILLING OUT OF
THE CLOSET FLOOR AND ONTO THE
Kyle GASPS and shuts the door instantly. He puts
his hands on his face and sobs.
Tommy, who is looking out of the peep hole of the
door spots something.
A distorted view of the porch, but the SHAPE
lunges up onto it, heading straight for the door.
As Tommy screams. In a beat Kyle runs up to him,
as MICHAEL'S ARM shatters through the door
window, swinging around wildly trying to grasp the
The two scream and speed out of the foyer.
INT. UPSTAIRS HALL WAY - CONTINUOUS
Tommy and Kyle go up the long flight of stairs and
when they get to the landing, Kyle says…
Ok, Tommy. I want you to hide in the linen closet
and DO NOT come out until I say so, alright???
DO AS I SAY!!
Tommy takes this as a warning, and runs into the
linen closet and shuts the door obediently behind
him. Kyle looks back at him, and looks back at
the stairwell to the Shadow of the Shape lunging
up the stairs.
Kyle scrambles for the master bedroom.
INT. MASTER BED ROOM
The boy runs inside, shuts the door, pushes a
dresser drawer in front of it and runs for the
Come on, come on…
Finally someone answers.
911, please state your emergenc-
HI THIS IS KYLE STRODE AND I AM AT 421
TURNER LANE I REPEAT 421 TURNER LANE
PLEASE HURRY! MICHAEL MYERS IS HERE
TO KILL ME--
The phone line goes dead, just as MICHAEL from
outside the bed room pounds furiously on the door.
It splinters, but wont give.
Kyle rams up against the dresser drawer towards
the door, trying to contain it. Michael BURSTS IN
at ease. Kyle stammers back and yells out.
Michael approaches Kyle, knife hi in the air.
Now Kyle ain't as strong as Michael, but he's as
smart as hell, so he grasps a bookshelf in front of
him as a shield just as the KNIFE hurls through the
air and catches with it.
The knife pulls out, and Kyle dashes for the door.
Michael follows him, raises the knife again, and
stabs a picture of LAURIE STRODE on a shelf
instead of Kyle.
INT. BASEMENT - CONTINUOUS
Kyle rushes down the stairs as if driven by an
invisible force, he opens up a chest and brings out
a few things.
Now where is that replica of Freddy's glove that I
had in the 4th grade… Ah! Here it is.
Kyle pulls out a steel spidery apparatus glove
thing, which matches FREDDY'S GLOVE
He slides the glove into his hand, and watches the
gleaming razors shine. Kyle wastes no time, and
tests it by scraping the razor fingers along a pipe.
An eerie SSSSCCCRRRRRRTTTTTTTT follows
it. He smiles, and grabs a match book, and drags a
tank of gasoline up the stairs.
INT. LIVING ROOM
Kyle is setting up a trap. He tapes sand paper up
against a wall, followed by a string which is
attached to a single match. Kyle soaks the ground
with gasoline. The match is set to fall from its
place once its lighted and ignite with the ground.
All Kyle needs is the bait…
INT. UPSTAIRS HALLWAY
The linen closet door screeches open and little
Tommy steps out, curious. Just as he does,
MICHAEL steps out of the master bedroom and
sees him. The Shape walks over to him, and
Tommy backs away and screams.
Michael is just about to grab Tommy, when a loud
SSSCCCCCCRRRRTTTTT is heard from the
stairwell. Michael whips around like lightning to
see KYLE scraping the talons against the railing of
the stair way.
Come and get me Shit Head!
The bait works. Michael lunges at Kyle, but Kyle
dashes for the stairs in an instant with Michael hot
on his trail.
INT. LIVING ROOM
Kyle stops at the threshold at the living room. He
lunges at Michael and slashes the razors at his
stomach. Michael grasps them in pain and
stumbles into the living room. Kyle lashes out and
STABS HIM in his side, causing him to fall to the
ground and gets soaked by the gasoline.
Kyle takes this as a sign and BANGS his hand
against the wall, triggering the string to fall, with
the match STRICKING ACROSS THE WALL
PAPER, igniting a small flame. The match falls to
the ground, and ignites the ENTIRE ROOM
INT. UPSTAIRS HALL WAY
The boy runs upstairs and knocks frantically on
the linen closet door. Tommy runs out, and they
both dash down the stair way and run out of the
INT. TOMMY STRODE'S HOUSE - THAT VERY
Tommy and Kyle walk in.
Where are your parents?
They're out seeing a movie.
Oh. Is anybody else home?
Yeah, my older sister Lilly is home… I'll go get
Tommy runs up the stairs, as Kyle takes off his
Freddy Glove and stares at the blood soaked
INT. UPSTAIRS HALL WAY
We walk up the stairs and enter the hallway. We
peer through Lilly's door, to see her listening to her
headphones. We walk to the next room, Tommy's
room and we grab our Michael Myers mask and
set it over our face. We open up a drawer and
bring out a pocket knife. We press a button at the
side and instantly a sheer SHING of the blade
spurts out as it slides from its place. We hold the
knife high in the air, and immediately loud
breathing emanates from our mouth. We walk
stealthily over to Lilly's room and walk up right in
front of her.
After seeing us, we take out the knife, raise it high
in the air above Lilly and we SLAM IT DOWN
just as we
SMASH CUT TO
INT. LIVING ROOM
Lilly's helpless cries are heard all the way from
upstairs. In a beat Kyle springs up and dashes for
Slowly coming down the stairs comes TOMMY in
the Myers' mask, breathing loudly, with a really
bloody knife in hand.
Kyle goes up by him and rips off the mask. It's the
face of Tommy. Blank. Lifeless. Black eyes. The
(choking on his own words)
Oh…. g-g-g-god….. no!
ULTRA SMASH CUT BLACK OUT!!!
The HALLOWEEN Theme starts up and gets
faster and faster as the credits roll.
After so… we see the vision of TOMMY holding
up the bloody knife, then we see young MYERS
holding up his bloody knife, unmasked by his
They both have the same expression on there
FADE TO BLACK